Sunrise vs. The Jazz Singer
Sunrise vs. The Jazz Singer
Sunrise vs. The Jazz Singer
Learn more about two sensational films which ushered in the Sound Film Revolution of the 1920s!
Sunrise: A Song of Two Humans
While Sunrise is commonly remembered by the film industry as a silent film, it was actually the first feature length film to employ a synchronized optical soundtrack. While there is no spoken dialogue between the characters, the film’s music score was provided entirely through the soundtrack. The film’s extensive fantasy set, mixed with artistic filmography, and a synchronized score made it a technical marvel of the time. The plot follows a farmer who is convinced by his lover to murder his wife, but in failing to do so rekindles their love.
Production Company
Fox Film Corporation
Director
F.W. Murnau
Debut
September 23, 1927
Sound System
Fox-Case Movietone
Awards
While critical reviews of the story were fairly mixed, the film won three Oscars in the first year of the Academy Awards in 1929.
- Best Unique and Artistic Picture (a category which was only awarded the first year and was at the time considered as prestigious as Outstanding Picture)
- Best Actress in a Leading Role – Janet Gaynor
- Best Cinematography-Charles Rosher and Karl Struss
Legacy
Sunrise is remembered by film historians as a hallmark masterpiece of the Silent Era. While the synchronized score did not create the same sensation for sound film as The Jazz Singer or the earlier Lindbergh special, the ease with which the score was integrated (and the low expense of the system) foretold a future without movie theater organists.
The Jazz Singer
The Jazz Singer is best remembered for its combined two minutes of synchronized dialogue and music. The most significant moment in defining its popularity occurred when lead actor, Al Jolson, uttered his trademark line, “Wait a minute, wait a minute, you ain’t heard nothin’ yet” on the synchronized score. The vulnerability of maintaining the Vitaphone System was best revealed by the success of The Jazz Singer, as its successful implementation remained too complex and cumbersome to recreate its sound sensation outside of theaters in large cities which had already implemented the Vitaphone system. The film itself follows a Jewish musician defying the wishes of his father by becoming a jazz singer.
Production Company
Warner Brothers Pictures
Director
Alan Crosland
Debut
October 6, 1927
Sound System
Vitaphone
Awards
The Jazz Singer was largely excluded from the first Academy Awards as it was considered to have an unfair advantage to its competitors without sound dialogue. The film did receive an Academy Honorary Award.
Legacy
While neither the first to introduce audiences to sound dialogue or a synchronized score, The Jazz Singer proved to be an inspiration for the film industry outside of Warner Brothers and Fox Film Corporation to begin investing heavily in sound systems. While silent films would continue to be made years later, the building sensation and proven marketability of sound film led directly to The Talkie Revolution. The greater technical success of other film systems such as Movietone, however, led to the end of Vitaphone in 1928.
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Crediting for Images on this Page
Image: Sunrise theatrical release poster, Public Domain, c. 1927
Image: Promotional poster of Sunrise: A Song of Two Humans, c. 1927
Image: Poster for the movie The Jazz Singer , 1927. Warner Bros. (original rights holder)











